Author: thomasmeijerman

Dämmerung

The summer exhibition Dämmerung is exclusively opened during twilight; the moment of
day in which the amount of sunlight declines, and the day transforms into night. During this
exhibition, all phases of dusk will be addressed; from the so called ‘civil’ dusk – in which the
human eye is still capable of detecting all small details -, until the ‘astronomic’ dusk, -in
which the darkness finally takes away our sight- .

During twilight, our senses sharpen; as if preparing to hunt. By catching shadows, that will
slowly crawl over the artworks, the visitors will experience the artworks as never before.

Twilight is not only a natural phenomenon: it also marks a mental area: a period that rises
more questions than answers, which forces us to rely on mere interpretation.

Each work in this exhibition relates to the theme of twilight in its own way. Aldo van den
Broek, for example, shows us scenes from Eastern Europe, in which civilians live in the
inbetween of communism and the following era. His black works are composed with
masked materials, likewise the way deteriorated materials in communist architecture are
often coveredd with a thin layer of masking plaster.

The work of WDKA graduate Vincent Zanni, departs from a whole different perspective: in
his dark blue cyanotypes, he shows us slowly fading memories.

As the summer progresses, the days will shorten. At the beginning of the show, the
artworks will still somewhat be lit by sunlight. But at the end of the exhibition, visitors must
probably use some lights of their own, to reveal all hidden structures. However, the show
won’t be obscured completely, as it takes place in a city that never completely sleeps itself.

Curator Thomas Meijerman (Westervoort, 1995) graduated in 2020 from the WDKA and
has since then, been studying dynamic natural phenomenon.

With works by:
Aldo van den Broek
Jessica van Deursen
Otto Egberts (1949-2019)
Jasper van den Ende
Johnny Mae Hauser
Daan den Houter
Marilou van Lierop
Pieter Jan Martyn
Mike Ottink
Marcel Wesdorp
Vincent Zanni

One-Time View

This work is about an experience. Buyers will have to decide whether or not want to see the work. However, if this is chosen, the work will immediately begin to degrade until there is nothing left of it. The experience of the work is only for this person and for no one else. The instructions on the envelope also provide an experience

The best experience comes from following the instructions on the envelope. The envelope will only be opened after following the instructions.
https://unnoticedart.com/thomas-meijerman-one-time-view/

The influence of the tides on my work

The tides are a big factor within the formation of a coastal landscape. The landscape that I choose for a conversation with the landscape had to have a big difference between low tide and high tide. It had to have strong currents, so the landscape would be able to evolve over the time of my stay. That also meant that it changed both my physical and mental state. I want to share this photo of how the tides dissolved my work.

Residency Pictura Dordrecht

The 15th till the 28th of August I have been working in Pictura Dordrecht to start a new project. The ”experimental project weeks” can be seen as a sort of residency in which 5 artists are invited to work in the same space for two weeks. These are photos of my work during the final presentation.







Wild Summer of Art Part II

Tomorrow is the opening of the Brutus Wild Summer of Art Part II in which I will show a selection of works from the project a Conversation with the Landscape.

The exhibition is curated by Piet de Jonge (former curator of the Van Abbemuseum, Museum Boijmans Van Beuningen and Museum Kröller-Müller), Jessy Koeiman (curator Collective Learning, Art Institute Melly) and Liesbeth Bik (visual artist and curator).

For more information visit: https://brutus.nl/nl/programma/programma/wild+summer+of+art+part+ii/
and:
https://art.brutus.nl/Mjg1LzA=