This work is about an experience. Buyers will have to decide whether or not want to see the work. However, if this is chosen, the work will immediately begin to degrade until there is nothing left of it. The experience of the work is only for this person and for no one else. The instructions on the envelope also provide an experience
The best experience comes from following the instructions on the envelope. The envelope will only be opened after following the instructions.
With this post I would like to invite you to the opening of The New Current 2023! I’ll be showcasing a new, interactive video installation.
The tides are a big factor within the formation of a coastal landscape. The landscape that I choose for a conversation with the landscape had to have a big difference between low tide and high tide. It had to have strong currents, so the landscape would be able to evolve over the time of my stay. That also meant that it changed both my physical and mental state. I want to share this photo of how the tides dissolved my work.
Tomorrow is the opening of the Brutus Wild Summer of Art Part II in which I will show a selection of works from the project a Conversation with the Landscape.
The exhibition is curated by Piet de Jonge (former curator of the Van Abbemuseum, Museum Boijmans Van Beuningen and Museum Kröller-Müller), Jessy Koeiman (curator Collective Learning, Art Institute Melly) and Liesbeth Bik (visual artist and curator).
For more information visit: https://brutus.nl/nl/programma/programma/wild+summer+of+art+part+ii/
A while ago I’ve been taking over Rizoom. Esther van Zoelen Interviewed me and wrote a beautiful text about my work. You can find the text when you click on this link: https://rizoom.art/Takeover-190-Thomas-Meijerman
A walk trough the landscape with a rock in order to experiment with the limitations of my body and to change into a different being for a brief moment.
This is a preview of something that I’ve been working on. After two weeks of warm weather and sun we’ve now arrived to pretty stormy and cold weather.
In my work I am (often subconsciously) looking for something bigger than myself and something sublime. Last sunday I planned on doing an intervention during a storm with big waves that hit the rocks around me. When I arrived at the location I found out that the heavy rain caused the cliffs to become brittle and I witnessed a lot of small avalanches. I realized that at this moment I had the rare opportunity to create something sublime with pure elements. However the risk of doing this intervention would be very high and I had to wonder whether it would be worth it. Eventually I had to make the decision not to do it as it would risk both me and the rest of the works that I would be making here. I decided to postpone it and try again two days later.
The waves that day were higher than I planned on but it would still be safe enough to do the intervention. During the build up I found out that the rocks were a lot more slippery than before and at some point I got into a dangerous situation where the chance of getting stuck underwater was very high. Unfortunately I had to leave behind my food, tripod and my work in order to make it back to a safe height. I planned this intervention for two weeks in order to minimize the risks and to know exactly what I could expect in all the different situations. In the end working with the forces of nature is very unsure and even if you take everything into account, it can still surprise you.